The conceptual foundation of my practice is rooted in an authorial principle I define as synecdochical quasi-realism pars pro toto, in which a fragment, detail, psychological situation, or distorted motif functions as a representative of a broader existential, social, or cultural whole. I do not perceive reality as an objectively graspable structure, but rather as a subjectively constructed space shaped by memory, emotion, trauma, cultural experience, and the mechanisms of human perception.

My work operates at the intersection of figurative painting, psychological introspection, and material experimentation. Through processes of distortion, fragmentation, symbolic reference, and physical intervention into the image surface, I construct visual situations oscillating between personal experience, archetypal memory, and existential tension. Materiality, surface, and the physical structure of the work function not merely as formal elements, but as active carriers of emotional and conceptual meaning.

My practice continuously investigates themes of identity, childhood, inner isolation, moral constructions, collective memory, and the instability of perception. The works resist narrative closure and fixed interpretation; instead, they function as open psychological structures in which introspective experience intersects with broader cultural and social contexts.

Selected Artworks presents a curated selection from the ongoing series Childhood Series, Virtues and Vices, Portraits, Space and Matter, Dark Light Series, and other long-term projects, which together form an interconnected body of work reflecting on the relationship between human psychology, memory, corporeality, and the contemporary experience of reality.